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Prêmio Eisner 2020: brasileira Bilquis Evely é indicada em duas categorias

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bilquis
The Dreaming, série indicada ao Eisner. (Divulgação).

O Prêmio Eisner, o mais importante prêmio da indústria dos quadrinhos, divulgou na última quinta (4) a lista completa dos indicados desta edição. A brasileira Bilquis Evely está indicada em duas categorias, melhor artista e melhor nova série, ambas por O Sonhar, da DC Comics (publicada no Brasil pela Panini).

A editora Image tem mais um ano de destaque, sendo a campeã de indicações. Foram três HQs indicadas em melhor série e duas em melhor minissérie.

Entre as indicações para melhor série estão Bitter Root e Crowded, da Image, inéditas no Brasil, além de Demolidor, O Sonhar e O Imortal Hulk, que saíram no Brasil pela Panini. No prêmio de melhor álbum está o novo trabalho de Emil Ferris, Our Favorite Thing Is My Favorite Thing Is Monsters.

Os vencedores serão divulgados em julho, mas ainda não há detalhes de como será a entrega do prêmio por conta da pandemia do novo coronavírus.

Melhor história curta
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  • Minotäar, Lissa Treiman (Shortbox)
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  • Demolidor,  Chip Zdarsky Marco Checchetto (Marvel)
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  • Grass, de Keum Suk Gendry-Kim (Drawn & Quarterly)
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Melhor novo álbum
  • Are You Listening? de Tillie Walden (First Second/Macmillan)
  • Bezimena, de Nina Bunjevac (Fantagraphics)
  • BTTM FDRS, de Ezra Claytan Daniels and Ben Passmore (Fantagraphics)
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Melhor álbum – republicação
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  • Cover, vol. 1, de Brian Michael Bendis e David Mack (DC/Jinxworld)
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  • The Handmaid’s Tale: The Graphic Novel, de Margaret Atwood, (Nan A. Talese)
  • HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adaptado por Gou Tanabe (Dark Horse Manga)
  • The Seventh Voyage, de Stanislaw Lem, adapteado por Jon Muth(Scholastic Graphix)
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Melhor edição norte-americana de material estrangeiro
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  • The Handmaid’s Tale: The Graphic Novel, de Margaret Atwood, (Nan A. Talese)
  • HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adaptado por Gou Tanabe (Dark Horse Manga)
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  • Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)
Melhor Escritor / Desenhista
  • Nina Bunjevac, Bezimena (Fantagraphics)
  • Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)
  • Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)
  • James Stokoe, Sobek (Shortbox)
  • Raina Telgemeier, Guts (Scholastic Graphix)
  • Tillie Walden, Are You Listening? (First Second/Macmillan)
See also
Melhor artista ou equipe de artistas
  • Ian Bertram, Little Bird (Image)
  • Colleen Doran, Snow, Glass, Apples (Dark Horse)
  • Bilquis Evely, O Sonhar (DC)
  • Simon Gane, Ghost Tree (IDW)
  • Steve Pugh, Harley Quinn: Breaking Glass (DC)
  • Rosemary Valero-O’Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)
Melhor artista digital
  • Didier Cassegrain, Black Water Lilies (Europe Comics)
  • Alexandre Clarisse, Diabolical Summer (IDW)
  • David Mack, Cover (DC)
  • Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)
  • Julie Rocheleau, Wrath of Fantômas (Titan)
  • Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)
Melhor capista
  • Jen Bartel, Blackbird  (Image Comics)
  • Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)
  • David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)
  • Emma Rios, Pretty Deadly (Image)
  • Julian Totino Tedesco, Daredevil (Marvel)
  • Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)
Melhor colorista
  • Lorena Alvarez, Hicotea (Nobrow)
  • Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)
  • Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)
  • Molly Mendoza, Skip (Nobrow)
  • Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD(Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)
Melhor letrista
  • Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)
  • Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)
  • Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC);Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver  (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)
  • Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)
  • Stan Sakai, Usagi Yojimbo (IDW)
  • Tillie Walden, Are You Listening? (First Second/Macmillan)
Melhor mídia especializada em quadrinhos
  • Comic Riffs blog, by Michael Cavna, www.washingtonpost.com/entertainment/comics/
  • The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti(Fantagraphics)
  • Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)
  • Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted(Ohio State University Press)
  • LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)
  • Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com
Melhor livro sobre quadrinhos
  • The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell(Abrams)
  • The Book of Weirdo, by Jon B. Cooke (Last Gasp)
  • Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)
  • Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)
  • Making Comics, by Lynda Barry (Drawn & Quarterly)
  • Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)
Melhor trabalho acadêmico
  • The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)
  • The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)
  • EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)
  • The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)
  • Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)
  • Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)
Melhor design
  • Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)
  • Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)
  • Logo a Gogo, designed by Rian Hughes (Korero Press)
  • Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)
  • Making Comics, designed by Lynda Barry (Drawn & Quarterly)
  • Rusty Brown, designed by Chris Ware (Pantheon)
Melhor quadrinho digital
  • Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)
  • Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)
  • Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)
  • Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)
  • Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)
  • Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)
Melhor web-quadrinho

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